A Day in Ancient Greece — China Festival

01

A festival on an international scale

The international proposal aimed to introduce Ancient Greek culture to broad Chinese festival audiences through theatre, music, food, participation and a substantial reconstructed-object exhibition. It was structured for families, students, cultural institutions, invited guests and general visitors, with room for dialogue between Greek and Chinese participants.

02

The Bacchae as the performance heart

• Arrival through an exhibition of armour, weapons, dress, jewellery, ceramics and instruments.
• A central performance strand built around a condensed Bacchae in Ancient Greek, reconstructed music and choreographed chorus movement.
• Throughout the day visitors circulate among gastronomy, beauty, healing, sculpture, mythology, archery and pankration stations.
• The themes dossier allows distinct mythological episodes—Pan, Perseus and Medusa, Amazons, Theseus and the Minotaur, Dionysos—to recur as scheduled live encounters.
• Audience dance and supervised practice convert spectators into participants before the closing performance sequence.

03

A day of parallel encounters

• A thermopolion-inspired tasting station using reconstructed vessels.
• Historically framed food presented as one part of the cultural landscape rather than an isolated banquet.
• Ancient beauty practices and Hippocratic massage interpretation expanding the sensory and wellbeing dimensions.

04

The reconstructed world on display

• Euripidean drama in Ancient Greek, live wind, string and percussion instruments, chorus movement and mythological dance.
• Clay portraiture and sculpture, mythology-led children's activities and audience dance workshops.
• Historical archery, pankration, hoplite presentation and warrior ritual as supervised embodied interpretation.

05

A contemporary Greek–Chinese edition

• Armour, helmets, swords, axes, spears and shields alongside women's dress, jewellery, ceramic vessels and a wide family of reconstructed instruments.
• Performance, exhibition, thermopolion, workshop and physical-culture zones allow parallel use by a large audience.
• The modular scenic system was suitable for an expo hall or cultural venue; the original staffing, customs and equipment manifests remain confidential.

06

Adaptation today

• The festival can be scaled from a museum weekend to a major international expo programme.
• Local artists, educators or musicians can join a defined cultural-dialogue layer without being presented as evidence for ancient continuity.
• A current edition should use bilingual interpretation, accessible participation, formal object transport plans and explicit safety and rights review.